![]() While he has escaped the physical limitations of the Wingfield apartment and the restrictions of his job at the warehouse, memories from his past and feelings of regret seem to create an intangible prison for Tom. Essentially, this monologue reveals that Tom's escape has not been as complete or as perfect as he had hoped. It also symbolises Tom's final farewell to her. Laura must always live in the shadow of her brother's escape, and she will most likely carry this pain for the rest of her life. She and her mother must now fend for themselves. ![]() When Laura blows out the candles, it signifies the end to any hope that she could have a happy life. Even when he is walking along a street, he cannot help but be reminded of her: " I pass along the lighted window of a shop where perfume is sold.read more. The reader can discern that Tom's torment is at its worst when he is not surrounded by friends or engaging in some activity, both of which distract his thoughts from Laura. One must conclude that the escape he so fervently sought now seems to have become his prison. Wherever he goes, Tom associates glass and music with his sister, and this serves to only bring back haunting memories of the sister he left behind. In his speech, he tries to identify things that would remind him of Laura: "Perhaps it was a familiar bit of music, Perhaps it was only a transparent piece of glass." Laura would always play old records on her victrola, and she lovingly cherished her collection of glass figurines. Tom also mentions two elements that are associated with his sister throughout the play. This torment overshadows any measure of freedom he could have gained as a result of leaving his home. In recognising this fact, Tom also admits that he abandoned his family just like Mr.read more. From the statement, "(I) followed, from then on, in my father's footsteps." the reader can see that Tom acknowledges that he has chosen a path which is very similar to that of his father's. He tells us that his departure marked the last time he "descended the steps of this fire-escape", thus permanently embarking on his journey of solitude into what was once only a part of his dream world. This is inferred when he says," I didn't go to the moon, I went much further-for time is the longest distance between two places." Throughout the play, the fire escape has been a symbol of Tom's entrance and exit into both his reality and his dream world. Louis, and spent the remainder of his life wandering from place to place. It seems as though he never returned to St. However, this monologue is somewhat ambiguous and doesn't implicitly state whether Tom found the adventure he sought. I hope they get here before it starts to rain.Tom's closing speech in The Glass Menagerie is very emotional and ironic. No vases to hold them? All right, I’ll hold them myself – And then I – met your father ! Malaria fever and jonquils and then – this – boy…. Whenever, wherever I saw them, I’d say, “Stop ! Stop! I see jonquils ! I made the young men help me gather the jonquils ! It was a joke, Amanda and her jonquils ! Finally there were no more vases to hold them, every available space was filled with jonquils. Mother said, ‘Honey, there’s no more room for jonquils.’ And still I kept on bringing in more jonquils. – All lacy with dogwood, literally flooded with jonquils! – That was the spring I had the craze for jonquils. – lovely! – So lovely, that country in May. – I took quinine but kept on going, going ! Evenings, dances ! – Afternoons, long, long rides! Picnics. Invitations poured in – parties all over the Delta! – ‘Stay in bed,’ said mother, ‘you have fever!’ – but I just wouldn’t. The change of climate from East Tennessee to the Delta – weakened resistance I had a little temperature all the time – not enough to be serious – just enough to make me restless and giddy. I wore it on Sundays for my gentlemen callers ! I had it on the day I met your father. : This is the dress in which I led the cotillion, won the cakewalk twice at Sunset Hill, wore one spring to the Governor’s ball in Jackson ! See how I sashayed around the ballroom, Laura? Something I’ve resurrected from that old trunk! Styles haven’t changed so terribly much after all. AMANDA: “Possess your soul in patience – you will see!
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